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  • A ritual sport - Angkeli as homage to a goddess
    Traditional society looks upon angkeli puja as a rain and fertility rite. It is believed that it rains after an angkeliya is concluded and this is a sign that God Pattini is pleased.

    Elaborately organised Pattini observances have a deep social significance as they bring the villagers together, irrespective of class and other divisions, making for social cohesion at the grass roots level.

    Pattini observances are specially relevant in the present context, as apart from Sinhalese Buddhists, Hindus of the Eastern Province and estate workers of South Indian origin are devout Pattini adherents.

    Accordingly Pattini observances have great potential for cross cultural integration. (full text)

  • Story of Lanka - Visakha style
    On 26th July, at London’s Commonwealth Institute in Kensington Sri Lanka’s history was colourfully re-enacted in ‘Hela Puwatha’ — the Story of Lanka, presented by Visakha’s past pupils in the UK. I sat amongst the audience expecting to be placidly entertained, but ended the evening with unanticipated emotions, — a sense of excitement, re-kindled pride in my motherland, and amazement that such a show had been possible with previously untried amateur talent. (full text)
  • From the book 'The Palm of His Hand' by E.C.T. Candappa
    Sizzling fish,toddy and baila
    Soon, a young man with a tray full of fried fish cut in small pieces came up and placed it on a makeshift table constructed simply by digging four stakes into the soft beach sand and placing a rough plank on it. There was no cutlery. Everything was eaten by hand, morsels bitten off if the pieces were too large. (full text)
  • Esala Kaluwara - a mockery of tele-drama
    "Esala Kaluwara" (July Darkness?) - Completed its run over national television Rupavahini - a few days back. Esala Kaluwara was also described as a "Soundairya Roopa Kavya" - whatever that may mean. Esala Kaluwara was directed by, its script written by and its songs composed by Jackson Anthony, stage and film actor. (full text)
  • A Sasana Mandala - an urgent need
    A Buddhist Council was held in Burma to mark Buddha Jayanthi year 2500. In order to conduct the affairs of that Buddhist Council between the years 1954-1956 a Sasana Mandala was established. Both clergy and laity were pleased and encouraged by the achievements of the Buddhist Council, which conducted its affairs most efficiently. But even though it was hoped that a permanent Sasana Mandala would be established, this was not possible because of the fall of the government in power.

    However, 24 years later on May 22, 1980 over 1000 bhikkus met and established a Sasana Mandala which was known as the Madyama Sangha Palaka Sabha. The monks held discussions for four days and the Sabha was established on behalf of over one lakh of bhikkus. (full text)

  • The ways of the Veddhas
    In the years I had spent in the wilds of the valley of Gal Oya, which was the undis puted home of the vedda, my wish was to move with the veddas in their own environment. On the first day of my many meetings with the veddas, I was accompanied by my friends, Dharmakeerthie. George Schokman, an amateur photographer and a host of other officers together with my usual trackers D. M. Sudu Banda and one Gamarala from the old village of Tiburuhena Weva (off Mullegama, now abandoned) popularly known as Tiburuhena Weva Gamarala and my then Land Overseer J. A. C. Gunasekera. (full text)
  • Review
    Three women
    The re-issuing of Chitra Fernando's Three Women, is a welcome event. The book is a collection of three short stories, each focused on the life of a different woman. In her elegant, understated prose, the author captures many subtle nuances of contemporary life, particularly the dynamics of women's role. The first story, "Missilin" creates a scenario in which a young village girl, diagnosed by the astrologer as entering a dangerous period, is sent by her mother to be a servant in a middle-class Colombo household. There is genuine pathos in this story, but not of a conventional sort in which rural innocence is corrupted by urban williness. (full text)

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